THE MUSH HOLE

“The Mush Hole is a story about hope and finding light in dark places, as much as it speaks to intergenerational trauma, it screams resilience. Every single element represented on stage comes from survivors sharing their experiences with us.” - Santee Smith

Premiere Cast: Semiah Smith, Montana Summers, Julianne Blackbird. Photo credit: Ian R. Maracle

The Mush Hole is a theatrical dance performance about truths of Canada’s first Indian residential school - The Mohawk Institute. From 1828-1970, State and Church attempted to forcefully assimilate children from Six Nations and surrounding First Nations into Euro-Christian society and sever the continuity of culture from parent to child. The Mush Hole weaves through the traumatic memories of two generations of Survivors. Visceral performances by an all Indigenous cast, cinematic imagery and musical score, catapult audiences into the bricks and mortar of the school. Created from Survivors testimonials, it is a story about hope and finding light in dark places.

The Mush Hole - November 17, 2018 Socrates Project Performance - McMaster University Black Box For bookings contact: santee@kahawidance.org Kaha:wi Dance Theatre will be touring starting in Fall 2019. The Mohawk Institute a.k.a. The Mush Hole is the oldest residential school in Canada, after which all others were modelled. Operated in Brantford, Ontario, on Haldimand Treaty Territory lands from 1828 to 1970, it served as an industrial boarding school for First Nations children from Six Nations, as well as other communities throughout Ontario and Quebec. Government and Church worked together in a concerted effort to assimilate First Nations children into European Christian society, with aims to sever the continuity of culture from parent to child. The schools also served as a tactic to access Indigenous resources in particular land. The Mohawk Institute residential school left a legacy of trauma, the extent to which is currently still being exposed. “The Mush Hole reflects the realities of the Mohawk Institute residential school experience and offers a way to open dialogue and to heal, through acknowledging and honouring the spirit of Survivors and the families that were and continue to be impacted. Weaving through the school rooms and grounds, we get a glimpse into the horrendous truths, inhumanity and brutality that 1000’s of Indigenous children endured. The residential school legacy is an issue that effects all Canadians today.” PRODUCTION CREDITS: Artistic Producer/Director/Performer: Santee Smith Cultural Advisors: Geronimo Henry, Thohahoken Michael Doxtater, Roberta Hill Performers: Jonathan Fisher, Julianne Blackbird, Montana Summers, Semiah Kaha:wi Smith Composition/Arrangement: Jesse Zubot Additional Composition: Adrian Dion Harjo Songs: “Find My May”, commissioned remix by Nick Sherman; “The Storm” by Iskwé; "I Saw The Light" by Hank Williams; "I'm So Lonesome I Could Cry" by Hank Williams, "Just a Closer Walk With Thee" by Patsy Cline; T’will be Glory, Martin Family Singers from the album “Kaha:wi”.   Video Tech/Director: Ryan Webber Set/Lighting Designer: Andy Moro Costume Designer: Adriana Fulop Additional Costumes: Leigh Smith Rehearsal Support: Jesse Dell Set Construction: John Hobbs, Great Lakes Scenic Studios Production Support/Videographer: Shane Powless Production Stage Manager: Evan Sandham Theatre Technical Director: Patrick Brennan Voice-over: Rob Lamothe Creation Performers: Kennedy Bomberry, Brandon A. Oakes Production Support: Thru The Red Door, Art Gallery of Guelph Banff Centre for the Arts & Creativity ● Production Manager- Karin Stubenvoll ● Production Coordinator- Pia Ferrari ● Lead Video Technician- Jennifer Chiasson ● Video Practicum Participants: Kevin Oliver, Christopher Bussey, James MacKinnon ● Studio Technician, Cameraman, Video Actor - Aubrey Fernandez ● Audio Post Engineer- Edward Renzi ● Lead Animator: Sasha Stanojevic ● Animation and Design Practicum Participants- Rimsha Nadeem, Frank Seager ● Video Actor: Carver Kirby, Kevin Oliver Community Partners: Woodland Cultural Centre Graphic Designer: Inti Amaterasu Photographers: Ian R. Maracle The Mush Hole team acknowledges the support of The Socrates Project - McMaster University which brings together artists, scholars from across the disciplines, and diverse communities to engage in crucial conversations around the most pressing issues of our time. Championed by President Deane, The Project is made possible by a generous gift from Chancellor Emeritus L.R. “Red” Wilson. The Mush Hole acknowledges the generous support of Canada Council for the Arts and Ontario Arts Council and the Hnatyshyn Foundation - REVEAL Indigenous Arts Award 2017 for Santee Smith.


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The Mohawk Institute a.k.a. The Mush Hole

The Mohawk Institute is the oldest residential school in Canada, after which all others were modelled. Operated in Brantford, Ontario from 1828 to 1970, it served as an Industrial boarding school for First Nations children from Six Nations, as well as other communities throughout Ontario and Quebec. It served as a key tool in the effort to assimilate First Nations children into European Christian society, and sever the continuity of culture from parent to child, leaving a legacy of trauma. After closing in 1970, it reopened in 1972 as the Woodland Cultural Centre.

 
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Dora Mavor Moore Awards

Congratulations to entire The Mush Hole team and to Young People's Theatre for the 5 Dora Mavor Moore Awards 2020 - In the Theatre for Young Audience Division

  • Outstanding Direction: Santee Smith

  • Outstanding New Play: Santee Smith

  • Outstanding Performance by an Ensemble: Jonathan Fisher, Raelyn Metcalfe, Santee Smith, Montana Summers, Julianne Blackbird

  • Outstanding Production: Kaha:wi Dance Theatre presented by Young People's Theatre

  • Outstanding Projection Design: Ryan Webber, Shane Powless

 

Production Credits:

Creator/Producer/Director/Performer: Santee Smith

Tour remount: Kaha:wi Dance Theatre

Toronto presentation: Young People's Theatre

Advisors: Geronimo Henry, Thohahoken Michael Doxtater, Roberta Hill

Performers: Jonathan Fisher, Julianne Blackbird, Montana Summers, Raelyn Metcalfe

Composition/Arrangement: Jesse Zubot

Additional Composition: Adrian Dion Harjo

Songs: “Find My May”, commissioned remix by Nick Sherman; “The Storm” by Iskwe; "I Saw The Light" by Hank Williams; "I'm So Lonesome I Could Cry" by Hank Williams, "Just a Closer Walk With Thee" by Patsy Cline; “T’will be Glory”, Martin Family Singers from the album “Kaha:wi”.

Video Tech/Director: Ryan Webber

Set/Original Lighting Designer: Andy Moro

Costume Designer: Adriana Fulop

Set Construction: Great Lakes Scenic Studios

Production Support/Videographer: Shane Powless

Production Tour Manager/Tour Lighting Designer: Evan Sandham

Stage Manager: Kennedy Brooks

Voice-over: Rob Lamothe

Additional Costumes: Leigh Smith

Production Support: Woodland Cultural Centre, Thru the RedDoor, Art Gallery of Guelph, The Socrates Project - McMaster University

Banff Centre for Arts and Creativity

Production Manager - Karin Stubenvoll

Production Coordinator- Pia Ferrari

Lead Video Technician - Jennifer Chiasson

Video Practicum Participants - Kevin Oliver, Christopher Bussey, James MacKinnon

Studio Technician, Cameraman, Video Actor - Aubrey Fernandez

Audio Post Engineer - Edward Renzi

Lead Animator - Sasha Stanojevic

Animation and Design Practicum Participants - Rimsha Nadeem, Frank Seager

Video Actor - Carver Kirby, Kevin Oliver

Company Support: Canada Council for the Arts | Conseil des arts du Canada, Ontario Arts Council - Conseil des arts de l'Ontario, Toronto Arts Council

CONTACT:
General Inquiries: info@kahawidance.org
Booking Inquiries: santee@kahawidance.org