SUMMER ABORIGINAL DANCE TRAINING INTENSIVE


Kaha:wi Dance Theatre, Canada’s premiere Aboriginal contemporary dance company, invites dancers of all backgrounds to join us in Toronto, Canada at Canada’s National Ballet School in August, 2010 for a dance training intensive like no other.

Led by National Ballet School of Canada trained Mohawk choreographer and dancer, Santee Smith, Kaha:wi Dance Theatre performs across Canada and on stages around the world (including performances in 2009/2010 at festivals  in Australia, Japan, Mexico and the United States).

Two programs are offered:

  • Advanced Dance Practitioners: Take up to three consecutive weeks of intense training in ballet, modern, Santee Smith choreography [or use your preferred description] and traditional powwow.
  • Recreational dancers: An intensive one week technical foundations class with the same faculty as our pre-professional dance students. 

FACULTY and CLASSES 2010 

  • Santee SmithKDT Repertoire / Contemporary Indigenous Dance
  • Johanna BergfeldtContemporary Technique
  • Michel Faigaux Ballet
  • Rosa and Crystal “Beanie” JohnPowwow Styles, Hoop Dance
  • Michael Greyeyes Viewpoints I and II
  • Plus: Special Guest Teachers

And many other workshops that will complement your dance practice and challenge you this summer.

Visit our website after NOVEMBER 1, 2009 for complete details, faculty bios, class schedules and pricing options.   Prices start at $20 for drop in classes.

An exciting new season awaits the company.  Follow us in 2009-10 as the company takes works to Vancouver, Canada; Yokohama, Japan; Santa Fe, New Mexico; Pittsburgh, Pennsylvania, and more. We'll be looking for you there!

 

Santee shared tips on taking charge of your dance career at On the Move

Photo: Sean Jacquemain

Santee recently participated in on the MOVE/danse TRANSIT, a two-day conference presented by the Dancer Transition Resource Centre and partnering national arts service organizations on February 12-13 at the National Ballet School here in Toronto.

on the MOVE tackled some of the unique issues and challenges in attaining and maintaining a professional career in dance.  How can you have a vibrant and rewarding, stable career in dance?  What are some solutions and tactics that will assist you in building a strong career?

Santee was invited to speak at the “Portfolio Career Sessions”, the “Creating and Producing Panel” and to teach a master dance class over the weekend. There was vibrant energy everywhere, great questions and enthusiastic participants.

Santee found her participation at on the MOVE enriching for a number of reasons.  In her own words,

Speaking about my work always provides me with a better understanding of my own career. I was able to offer personal advice to the emerging dance community after hearing their questions and concerns especially during the Creating and Producing Panel.  Participants were interested in hearing about my choreographic process, fundraising, grant writing experiences among others.

I learned about the artistic processes, time management strategies, fundraising activities and career trajectories of my fellow colleagues such as co-panelists William Yong (dancer, founding Artistic Director of Zata Omm Dance Projects), Malgorzata Nowacka (dancer, educator, producer and founding Artistic Director of The Chimera Project) and panel facilitator Susan Kendal (Managing Editor of The Dance Current). I embrace any learning opportunities.

General advice that I offered to the groups included: “Be a life-long learner”, “Be proactive”, “Stay focused and persistent”.  The eagerness to continually learn is a great asset to have when crafting any career.  I believe all dance artists, whether dancers or creators/producers, need to be highly proactive in making and taking opportunities.

Later when I was speaking with my daughter about life in general, we came up with this three-step guideline, “Dream, Believe and Do”.

First: you need to dream by using your imagination, personal vision and creativity; then, you need to believe that your dreams can be accomplished, but most important is the act of doing.  Without the action of doing or putting in the “work” belief and dreams are not enough to reach your greatest potential and goals.

Note: The Dancer Transition Resource Centre is open to assist Aboriginal dancers and a diverse range of cultural dance artists.  For more information visit their website www.dtrc.ca/movetransit/toronto.html

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